Recent Reads
  • Not Fade Away: A Short Life Well Lived
    Not Fade Away: A Short Life Well Lived
    by Laurence Shames, Peter Barton
  • Career Renegade: How to Make a Great Living Doing What You Love
    Career Renegade: How to Make a Great Living Doing What You Love
    by Jonathan Fields
  • Power of Less, The: The Fine Art of Limiting Yourself to the Essential...in Business and in Life
    Power of Less, The: The Fine Art of Limiting Yourself to the Essential...in Business and in Life
    by Leo Babauta
  • Free Play: Improvisation in Life and Art
    Free Play: Improvisation in Life and Art
    by Stephen Nachmanovitch
  • Small Giants: Companies That Choose to Be Great Instead of Big
    Small Giants: Companies That Choose to Be Great Instead of Big
    by Bo Burlingham
  • Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel
    Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel
    by Rolf Potts
  • The Answer: Grow Any Business, Achieve Financial Freedom, and Live an Extraordinary Life
    The Answer: Grow Any Business, Achieve Financial Freedom, and Live an Extraordinary Life
    by John Assaraf, Murray Smith

  • The 4-Hour Workweek: Escape 9-5, Live Anywhere, and Join the New Rich
    The 4-Hour Workweek: Escape 9-5, Live Anywhere, and Join the New Rich
    by Timothy Ferriss

Fine Art Photographs

  • Black and White

    Black and White
    Conundrum
    I turn to black and white when I want to convey a strongly empasized sense of moment, mood, or feeling. 


     

     

  • Color

    Color
    Winter Bed

    Color is my most widely used format - primarily because we see in color.  Most of the time color adds an irreplaceable dimensional element to my compositions.



     

  • Split Tone

    Split Tone
    Siena Street

    Sometimes what I want to express is somewhere between black and white and color.  Split toning allows me to isolate certain objects or capture a certain atmosphere.